My friends at Crown & Covenant are aware of one of every niche blogger’s Achilles’ heels: free review copies. Over the past two years they’ve sent me several books and CDs to feature on URC Psalmody, and I’m always more than happy to do so. The only problem is that they’re the only publishing company that currently offers me this incentive, which means my reviews are not as well-balanced as they could be! Nonetheless, since I may be waiting a long time for Reformation Heritage or P&R to add their contributions, I’ll happily continue to review C&C resources.
Over the past several years Crown & Covenant has published a series of albums with simple recordings of psalms from The Book of Psalms for Worship. Currently twelve such albums exist (if my count is correct), and more are expected to appear in the coming months. The most recent is Solace, a collection of twenty psalm settings that focus on the Lord as a source of protection and strength in times of trouble. Utilizing multi-track recording technology, Solace was produced by three members of a very musical Reformed Presbyterian family in California who recorded over their own voices to create the auditory illusion of a small choir.
I’ve had the privilege of getting to know this family a little bit and can attest to their love for psalm-singing, as well as their skill in doing it. Recording twenty psalm settings at professional quality for commercial distribution is no easy task! And overall, this is a recording worthy of the long heritage of psalm-singing that Reformed and Presbyterian churches have enjoyed.
The primary use I would have in mind for this album would be a reference recording. That is, I would go to Solace mostly to find out how an unfamiliar tune goes or to explore possible tempi, arrangements, etc. Because most of the arrangements are very simple, Solace would be especially helpful for those seeking familiarity with The Book of Psalms for Worship or a cappella psalm-singing in general. But the recording quality is generally good enough that the album could make for enjoyable listening music as well, particularly in the area of personal devotions. Again, the simple singing style makes it almost impossible not to meditate on the words as they are sung.
Some aspects of Solace are not as aesthetically pleasing as they could be. The multi-track recording can sound too manipulated at times, especially the female vocals. And, to return to one of my typical complaints about many kinds of psalm-singing, I would love to hear a little more variety in the pacing and dynamics of some of the psalms. In general, I always prefer real-time recordings like those of the Syracuse RP Church, also in this series, which are excellent.
Still, Solace and this series in general set a high standard for psalm-singing albums of all kinds. The closest comparison I can make to a series from the CRC/URC tradition would be Dordt College’s Be Thou Exalted, LORD! series from the 1980’s. As we look ahead to the publication of a new Psalter Hymnal, the OPC and URC’s talented musicians and singers ought to give careful thought to producing a similar set of recordings. Singing the psalms does not need to be beautiful in order to be worshipful, but it certainly deserves our best effort!
(Per FCC rules, I need to note that I was sent a complimentary review copy of this book, and I was not required to write a positive review.)