Posts Tagged 'RPCNA'

Solace (Review)

My friends at Crown & Covenant are aware of one of every niche blogger’s Achilles’ heels: free review copies. Over the past two years they’ve sent me several books and CDs to feature on URC Psalmody, and I’m always more than happy to do so. The only problem is that they’re the only publishing company that currently offers me this incentive, which means my reviews are not as well-balanced as they could be! Nonetheless, since I may be waiting a long time for Reformation Heritage or P&R to add their contributions, I’ll happily continue to review C&C resources.

Solace: Selections from the Book of Psalms for WorshipOver the past several years Crown & Covenant has published a series of albums with simple recordings of psalms from The Book of Psalms for Worship. Currently twelve such albums exist (if my count is correct), and more are expected to appear in the coming months. The most recent is Solace, a collection of twenty psalm settings that focus on the Lord as a source of protection and strength in times of trouble. Utilizing multi-track recording technology, Solace was produced by three members of a very musical Reformed Presbyterian family in California who recorded over their own voices to create the auditory illusion of a small choir.

I’ve had the privilege of getting to know this family a little bit and can attest to their love for psalm-singing, as well as their skill in doing it. Recording twenty psalm settings at professional quality for commercial distribution is no easy task! And overall, this is a recording worthy of the long heritage of psalm-singing that Reformed and Presbyterian churches have enjoyed.

The primary use I would have in mind for this album would be a reference recording. That is, I would go to Solace mostly to find out how an unfamiliar tune goes or to explore possible tempi, arrangements, etc. Because most of the arrangements are very simple, Solace would be especially helpful for those seeking familiarity with The Book of Psalms for Worship or a cappella psalm-singing in general. But the recording quality is generally good enough that the album could make for enjoyable listening music as well, particularly in the area of personal devotions. Again, the simple singing style makes it almost impossible not to meditate on the words as they are sung.

Some aspects of Solace are not as aesthetically pleasing as they could be. The multi-track recording can sound too manipulated at times, especially the female vocals. And, to return to one of my typical complaints about many kinds of psalm-singing, I would love to hear a little more variety in the pacing and dynamics of some of the psalms. In general, I always prefer real-time recordings like those of the Syracuse RP Church, also in this series, which are excellent.

Still, Solace and this series in general set a high standard for psalm-singing albums of all kinds. The closest comparison I can make to a series from the CRC/URC tradition would be Dordt College’s Be Thou Exalted, LORD! series from the 1980’s. As we look ahead to the publication of a new Psalter Hymnal, the OPC and URC’s talented musicians and singers ought to give careful thought to producing a similar set of recordings. Singing the psalms does not need to be beautiful in order to be worshipful, but it certainly deserves our best effort!

–MRK

(Per FCC rules, I need to note that I was sent a complimentary review copy of this book, and I was not required to write a positive review.)

Sing Joyfully: Getting the Most out of the Book of Psalms

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(The following is adapted from a workshop delivered by Michael Kearney and Dr. David Kenneth Smith to high schoolers at the 2016 Reformed Presbyterian International Conference on July 26, 2016.)

Thanks for giving us a little slice of your busy schedules during this convention. As two non-Reformed-Presbyterians, we are really enjoying the chance to get to know so many of you along with your friends, family and fellow church members this week—we’ve been invited to participate in something really special, and it’s great to be here!

We want to talk to you today about something the majority of you have probably experienced for your entire lives—psalm-singing. We’re going to leave aside theological or historical arguments for psalm-singing, which you’ve probably already heard countless times and which you can probably explain better than we can. Rather, we want to speak to you about the psalms as they fit into the theme of RPIC’s high school program, “Exploring Life in This World: Adulthood Is upon You.” In this workshop we want to suggest that the psalms are a divinely-given resource to help us make sense of the ups and downs of life. There are three main ways in which the psalms do this.

First, the psalms help us make sense of the world through their role as a spiritual discipline. I’m sure you know the passage in Ephesians where the apostle Paul commands the church to sing psalms and hymns and spiritual songs (Ephesians 5:19). But look at the context surrounding this command. The command to sing psalms doesn’t arise out of thin air; it appears in the middle of a list of activities that are really very countercultural. And I’m sure that many of your friends, whether believers or unbelievers, would be kind of surprised to hear that you gather in church or in your home during the week to sing psalms. In our current culture, singing—and especially singing Scripture—is a strange practice.

In Ephesians Paul describes how Christians are to “be imitators of God” rather than imitators of the world. And a lot of his commands have to do with what fills our minds and mouths. Is it crude joking, or thanksgiving (v. 4)? Is it empty words (v. 7), or the wisdom from God (v. 15)? Is it drunkenness, or Spirit-filled speech (v. 18)? Indeed, now more than ever we are surrounded by empty and foolish talk on so many sides that cultivating heavenly wisdom takes serious effort. Spiritual disciplines are called disciplines because they take a lifetime of strenuous dedication to establish in our lives. But singing the psalms is one way we can grow in the wisdom and maturity that we are called to when we follow Christ.

Second, the psalms help us make sense of the world by teaching us about living in harmony within the church. Paul’s list of instructions to the church in Ephesians 5 begins with the words “walk in love, as Christ loved us.” We often think of psalm-singing as a way to obey God and build up our own hearts. But do we think of psalm-singing also as an expression of love toward our fellow believers?

Congregational singing is an excellent picture of building one another up, especially when we sing in harmony. A song that contains only one musical line can be very shallow and boring. That’s why our psalters are written with four parts that rise and fall independently, but intermingle to form a beautiful and harmonious whole. Some people have lower or higher voices than others, but all can find a part suited for them in the church’s music. The fact that we sing in harmony rather than unison seems to be a great picture of the Christian life, especially since not everyone in the church “plays the same part.” We each have different strengths and weaknesses in different areas, but God uses those differences to help us grow as the body of Christ. In the case of singing, we work together to imprint divine vocabulary on each other’s hearts. We learn to speak like Jesus!

The third and final way in which the psalms help us make sense of the world is that they fill us with joy in the face of opposition. When asked why we Reformed believers sing the psalms, we are often quick to respond with the fact that it’s divinely commanded—and that’s true. But let’s not lose sight of the fact that we also sing the psalms because it’s a joyful activity for the redeemed soul. Paul lists singing as an expression of love and thanksgiving, not a tedious obligation.

I can say to you, even as someone who’s just a few years older than you are, that the experiences I’ve had so far have taught me to treasure the psalms more than I did in high school. There have been mountaintop experiences (literal as well as spiritual) where the psalms have filled me with new heights of praise, and there have also been dark valleys where the laments and prayers of the psalter have been some of my only comforts. I suspect the same has been or will be true for most of you as well as you go forth into this world. And as the psalms help you to make sense of the apparent chaos and absurdity in the world, they will also help you share God’s perspective with your friends, family, coworkers and acquaintances. The psalms can help them make sense of the world too!

We titled this workshop “Getting the Most out of the Book of Psalms” because we believe the psalms have a tremendous wealth of benefits to impart to the believer. In order for the psalms to help you make sense of the world, of course, you also have to work hard to make sense of the psalms as you sing them. That takes place by meditating on the text, letting the words shape the way you sing, and striving to make music to the best of your ability. When you exert this effort, whether individually or in a congregation, we are sure your life will begin to reap some of the many fruits the psalms offer.

Unity in Indiana

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Keynote speaker Rev. Barry York

Well, since last month I can now cross a significant item off my bucket list. Unexpectedly, I got to attend the 2016 Reformed Presbyterian International Conference (RPIC) in Marion, IN!

Held every four years, the RP International Conference is a longstanding favorite event within the Reformed Presbyterian Church of North America (RPCNA) and beyond. It’s when about 2,000 members of the RPCNA and its sister denominations around the world converge for a week on the campus of Indiana Wesleyan University for preaching, singing, recreation, and fellowship. It’s a fantastic experience—and not just because I got to listen to thousands of people singing the psalms in harmony all week!

I say “unexpectedly” because I had no plans to attend RPIC, until the director of my college choir, Dr. David K. Smith, asked if I would be interested in accompanying him to the conference. As the choir’s PR director I could help him with recruiting and networking. Since Geneva College is the denominational school of the RPCNA and The Genevans choir plays an active part in keeping the tradition of a cappella psalmody alive, this seemed to be the perfect venue.

Initially we just planned to travel to Indiana for part of the week and run a table in the conference’s exhibition hall. After our initial plans were made, however, we were invited to present a workshop to the high schoolers at the conference on psalm-singing! Why the conference planners chose two non-RP’s to speak to Reformed Presbyterian youth about their own denominational distinctive is beyond me. Nevertheless, we enjoyed the opportunity to come in as observers and encourage a group of 30 or 40 youth toward a deeper appreciation of the musical tradition they grew up with. (I’ll post a summary of the workshop soon, Lord willing.)

In addition to serving in this “official” capacity, I had a lot of opportunities just to mingle with these Scottish brothers and sisters. I benefited greatly from Rev. Barry York’s keynote addresses on “The Sacrificing Church: Ministering Faithfully as Priests in the Local Congregation.” I got to sit in on several fascinating workshops, including sessions led by Rev. Michael LeFebvre and our own Rev. Danny Hyde! Above all, I enjoyed getting to meet hundreds of Reformed Presbyterians who loved to converse about the labors, joys and sacrifices of living in the body of Christ. I felt warmly welcomed into a different branch of the family of God of which we are all a part.

If there was one disappointing facet of the week, it was the blank stares I so often received when I mentioned the United Reformed Churches in North America. Most attendees, it seemed, had never even heard of our very like-minded denomination. One conventioneer even took pains to warn me about the increasing liberal trends in my federation, not realizing he had confused the United Reformed Churches with the United Church of Christ!

For denominations that share “Phase 2” ecumenical relations, I can’t help but find this a little embarrassing for both of us. Maybe sending a contingent of 500 URCNA members to the next international conference wouldn’t be helpful, but certainly there are plenty of ways on a local and regional level to affirm our unity. Have we pursued the option of a yearly NAPARC joint worship service, as is done in places like Pittsburgh? Do we invite each other’s congregations to fellowship events like game days or (in West Sayville’s case) lobster fests? Do we take advantage of the conservative, well-grounded Reformed liberal arts education a college like Geneva has to offer? (Yes, that was a shameless plug.) If not, perhaps these opportunities can help us map out a reasonable plan of action.

As Rev. York’s messages reminded me throughout the week, the world is pressing in on the church from all sides. In times like these, what a blessing and help it is to be united in the truth by building lasting relationships with fellow believers across denominational lines.

–MRK

Check out Bryan Schneider’s video montage of the 2016 Reformed Presbyterian International Convention here.

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I AM: Kids Sing Psalms! (Review)

I AM: Kids Sing Psalms!Last week I was reminiscing with some friends about the Sunday school songs of our childhood. Although we had plenty of choices, we really had only a few recurring favorites, including “Father Abraham” and the dubious classic “Arky, Arky.” Another favorite was the antiphonal “Hallelu, Hallelu/Praise Ye the Lord” chorus, which most often turned into a screaming competition between the boys and the girls as each group tried to produce the loudest exclamations of praise. We may not have been very musical, but we were definitely enthusiastic.

The topic of Sunday school singing comes to mind because I’ve been thinking a lot lately about how we teach kids the psalms. Even congregations with a robust tradition of psalm-singing often find it difficult to impress these songs on the minds and hearts of the next generation. On one hand, an energetic group of kids could be bored to tears by some of the more solemn selections in the psalter. On the other hand, more engaging styles of music like Steve Green’s classic Hide ‘Em in Your Heart albums tend to be unrepresentative of what would typically be sung in worship.

Crown & Covenant has recently released a CD album, I Am: Kids Sing Psalms! (2016), which seeks to meet this need. Featuring 27 children choristers from the Pittsburgh School for the Choral Arts, the album pairs eight “I AM” statements of Jesus (“I am the bread of life,” “I am the light of the world,” etc.) with similarly-themed psalm settings from The Book of Psalms for Worship. Each psalm is introduced by a choir member who reads the New Testament passage accompanying it. This album isn’t the first of its kind; other C&C releases include You Are My God: Kids Sing Psalms! and the correctly-spelled Kids Sign Psalms: O Be Exalted High, O God!

I expected I Am: Kids Sing Psalms! to resemble the singing I described above—what it lacked in tone quality it would make up in enthusiasm. Surprisingly, the opposite is true. These kids are excellent singers, and their polished sound proves that the Pittsburgh School for the Choral Arts provides a solid musical education. By the same token, I have to admit that the youthful zeal I anticipated often seems to be missing from this recording. The choir sings in unison with the rare addition of a second part, so the publisher’s description of “rich a cappella harmony” seems to be overstating the case. Whether it’s the restrained tempo, the absence of dynamics, or just the teaching style, I long to catch a little more excitement from these children’s voices.

Crown & Covenant describes I Am: Kids Sing Psalms! as being “designed for young children to gain familiarity with the psalms.” The difficulty in reviewing an album like this is that it really ought to be considered on two different levels. To be sure, the choristers in the recording have definitely benefited from learning and singing these songs. Nothing gets words and tunes stuck in your head more firmly than choir rehearsals, and the polished sound of these singers proves that they have put plenty of hours of practice time into the music. Whether they realize it or not, these kids’ experience with psalm-singing has left a lasting impression on their minds, hopefully one that mirrors the impression made on their hearts.

Unfortunately, the album’s design is less likely to make an impact on kids on the listening end. Subdued psalm-singing might be helpful background music for children as they go to sleep at night. But I doubt many children would beg to hear this CD in the car or in the middle of the day’s activities—and I say that as someone with an unusually mellow musical taste myself. Even lively congregational singing, for all its rough edges, might make more of a joyous and exciting impression.

Despite my criticism, I’m very encouraged by the production of this album—both because it’s great to see an acclaimed children’s choir working together with a Reformed denomination on psalm-singing, and because Crown & Covenant clearly recognizes the need for engaging and lasting ways to teach the psalms to youth. Although I Am: Kids Sing Psalms! may have left me missing the shrill enthusiasm of “Father Abraham” and “Arky, Arky,” I’m still looking forward to future releases.

–MRK

(Per FCC rules, I need to note that I was sent a complimentary review copy of this CD, and I was not required to write a positive review.)

150 Questions about the Psalter (Review)

150 Questions about the Psalter“God gave his church the musical gift of the Psalter,” writes Bradley Johnston at the beginning of his little book 150 Questions about the Psalter (107 pp., Crown & Covenant, 2015). Formatted as a psalm-singing catechism of sorts, Johnston’s book teaches readers to love the Book of Psalms as a gift from God and to learn to shape their devotions and worship by it.

After an opening section entitled “Introducing the Psalter,” the book proceeds through six other divisions: “Christ in the Psalter,” “The Arrangement of the Psalter,” “The Content of the Psalter,” “Meditating on the Psalter,” “Singing the Psalter,” and “The Majesty of the Psalter.” Each division answers a variety of questions about the psalms: What is a metrical psalter? Should we regard the Psalter as merely a hymnal for the Old Testament? How do we learn to see Jesus Christ in the Psalter? Why should we sing the Psalms?

While Johnston’s answers to these questions are overall quite simple and straightforward, 150 Questions also includes almost 100 endnotes with fuller explanations and references to other resources on psalm-singing. Interspersed throughout the text are selected stanzas from a modern metrical psalter, The Book of Psalms for Worship. Several appendices in the back of 150 Questions trace the life of David through the Psalter, the patterns of the imprecatory psalms, an index of psalm references in the New Testament, and much more. It’s a readable, satisfying, and even fun introduction to the riches God has given his Church in the Book of Psalms.

Realizing that its author belongs to a denomination that sings only psalms in corporate worship, I feared that 150 Questions would immediately estrange readers from other church traditions by pointedly condemning hymns and other extra-biblical songs. Refreshingly, my fears were unfounded. Johnston chooses to argue for psalms rather than against hymns, making this “psalter catechism” a helpful and attractive resource for readers from a wide variety of worship styles. At the same time, reading a book so saturated with the riches of the Psalter left me painfully aware of the deficiencies of much of the church’s other music—which is probably a good thing.

My only quibble with 150 Questions is that some parts of it are very formal in tone, reminiscent of the style of the Westminster Catechisms. While this allows Johnston to provide succinct, precise definitions for the attributes of the Psalter, I tend to think a warmer, slightly more conversational tone would help the book’s winsomeness, especially for newcomers to the practice of psalm-singing. Overall, this is a minor blemish and should not deter the serious reader.

If Christians are not careful, psalm-singing, like any other tradition, can quickly become a source of pride and even idol-worship. It’s possible to read 150 Questions as nothing more than a militant defense of one denomination’s historical distinctive. But that’s not the point. Read with a humble, biblically-informed perspective, Johnston’s little book will help believers in every walk of life love the Book of Psalms more.

–MRK

(Per FCC rules, I need to note that I was sent a complimentary review copy of this book, and I was not required to write a positive review.)


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