March’s Psalm of the Month: 42B

The third installment in URC Psalmody’s Introduction to the URC/OPC Psalm Proposal

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Why are you downcast, O my soul?
Why are you so disturbed in me?
Trust God, for I will praise Him yet;
My Savior and my God is He.

If you happen to compare Psalms 42B and 42C in the Psalm Proposal, you may notice that their texts and tunes are interchangeable—you can easily sing one set of words to the other melody. That’s because these two versifications share the same meter, or poetic structure. But while selection C (taken straight out of the blue Psalter Hymnal) only treats vv. 1-5 of Psalm 42, selection B is a new and complete versification from Sing Psalms. The text is nicely complemented with the American folk tune O WALY WALY.

Singing Psalm 42B requires special attention not to let the extremely long melody notes sag. For a unique effect consider singing the tune (in unison) as a round, with one half of the congregation beginning a measure ahead of the other half. This musical technique is particularly appropriate for the question-and-answer motifs of Psalm 42.

Suggested stanzas:

  • 3/1: stanzas 1,2, 5
  • 3/8: stanzas 3-5
  • 3/15: stanzas 6-8
  • 3/22: stanzas 8-11
  • 3/29: all

Source: Psalm 42 in Sing Psalms; see also Psalm 42C in The Book of Psalms for Worship

Digging Deeper

Themes for Studying Psalm 42

  • “When shall I come and appear before God?” (vv. 1,2)
  • “Where is your God?” (vv. 3,4)
  • “Why are you cast down?” (v. 5)
  • “Why have you forgotten me?” (vv. 6-9)
  • “Where is your God?” (v. 10)
  • “Why are you cast down?” (v. 11)

Seeing Christ in Psalm 42

“I thirst,” said Jesus as he hung on the cross (John 19:28). The sour wine his crucifiers gave him calls to mind Psalm 69:21, but surely Jesus felt more than physical thirst in his anguish. In words reminiscent of Psalm 42:3, the watching crowd jeered, “He trusts in God; let God deliver him now” (Matt. 27:43). As he experienced utter separation from the Lord’s favor, Jesus must have thirsted for God spiritually “as a deer pants for flowing streams” (Psalm 42:1). Truly all of God’s breakers and waves went over him (v. 7), but God also raised him up for our justification.

Through Christ we have access to living water welling up to eternal life (John 4:14), and we have this promise: “the Lamb in the midst of the throne will be their shepherd, and he will guide them to springs of living water, and God will wipe away every tear from their eyes” (Revelation 7:17). Hope in God, your Rock and Savior!

Applying Psalm 42

  • What water-related images does the psalmist use to portray his affliction (e.g. vv. 1, 7)? Which ones are most vivid to you?
  • Does frequent absence from God’s house of worship grieve you (v. 4)?
  • Do the breakers and waves of v. 7 indicate God’s absence or his presence?
  • In times of affliction, how would you answer the challenge, “Where is your God” (v. 10)?

Note well that the main hope and chief desire of [the psalmist] rest in the smile of God. His face is what he seeks and hopes to see, and this will recover his low spirits, this will put to scorn his laughing enemies, this will restore to him all the joys of those holy and happy days around which memory lingers. This is grand cheer. This verse, like the singing of Paul and Silas, looses chains and shakes prison walls.

—Charles Spurgeon on Psalm 42:5

Michael Kearney
West Sayville URC
Long Island, New York

(A PDF version of this post, formatted as a bulletin insert, is available here.)

On Psalm Marathons and Similar Endeavors

It’s an exciting time in the history of psalm-singing. In the six years since its release in 2009, the Reformed Presbyterian Church’s Book of Psalms for Worship has become one of the most trusted modern psalters and is gaining use in a wide variety of churches. The Reformed Churches in New Zealand are currently finishing their own carefully compiled psalter-hymnal, Sing to the Lord, which includes the best from a wide variety of psalm-singing traditions. As I mentioned last week, the Canadian Reformed Churches recently completed revisions of the Book of Praise and the English Genevan Psalter. And the United Reformed Churches and the Orthodox Presbyterian Church are hard at work completing our own new Psalter Hymnal.

With a new psalter comes a big learning curve, of course. Realizing this, many churches and individuals are exploring creative methods to become familiar with the contents of these new songbooks.

The Book of Psalms for WorshipThe Reformed Presbyterian Church prepared for the release of The Book of Psalms for Worship by publishing several “Psalter Supplements” containing provisional versions of texts and tunes, in addition to creating an extensive library of recordings, resources, and informational videos. Now, with the psalter in its fifth printing and available in a dazzling array of formats (even smartphone apps), RPCNA members have no excuse not to be well-acquainted with their new songbook.

The Canadian Reformed Churches ensured that each congregation had a chance to interact with the revised Book of Praise by releasing a provisional version to the churches in 2010. Revision committee chairman Rev. George van Popta comments, “In addition to the quality of the work, the near universal positive reception is also due to how involved the churches were in the process” (see “Book of Praise revision completed,” Christian Renewal, 2/4/2015, p. 16).

Another creative venue for learning the contents of the new psalter is an 8-session “Psalm Marathon” coordinated by CanRC organist Frank Ezinga and hosted at two Canadian Reformed churches on several Saturday evenings this spring. With accompaniment on trumpet, violin, piano, organ, and flute, these singing sessions attempt to familiarize participants with all 150 psalm settings from the revised Book of Praise. For more information, visit http://langleycanrc.org/calendar#event/5489.

Hearing about these unique opportunities for learning new psalm settings makes me long to see similar efforts being put forth in the URCNA and OPC. In particular, we need opportunities to learn these new songs not only individually, but corporately. For example, every night some of my Reformed college friends and I get together to sing two or three selections from the Psalm Proposal and give a rough evaluation of each as regards textual accuracy, singability, and tune choice. So far we’re up to Psalm 22, and while our approach isn’t that rigorous or organized, we’re already finding new favorites in the Proposal’s contents. These informal (or formal) opportunities are critical for a smooth transition to the new songbook in just a few years.

How are you currently learning about the new Psalter Hymnal? What ideas might you have for helping your church or a group of your friends begin to explore its contents? Feel free to share your thoughts in the comments. Whether it’s a “psalm marathon” or just an informal get-together, I encourage you to actively engage now with the songs future generations will be singing.

–MRK

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Resource: The New Genevan Psalter

The New Genevan Psalter

Fans of the 450-year-old Genevan Psalter had good reason to get excited last year when the Canadian Reformed Churches released a new edition of their Book of Praise with updated settings of all 150 Genevan psalm tunes. For all of this songbook’s great features, however, many of its elements—such as the hymns, doctrinal standards, liturgical forms and prayers, church order, and subscription forms—are only useful in a Canadian Reformed context. Individuals and churches from other denominations or traditions would have little use for this extra material.

Just this week, however, I got word that the Book of Praise’s publishers have released a New Genevan Psalter containing all the updated Genevan psalm texts and tunes without CanRC-specific material! This psalter is intended for use by psalm-singing individuals or congregations from any tradition. For United Reformed congregations, it could serve as a solid Genevan supplement to the current Psalter Hymnal. As its website says, “A congregation that sings the Psalms is rooted in the church of all ages, and a congregation that sings the Psalms set to the Genevan tunes is embedded in the church of the Reformation.”

Rev. George van Popta explains more about the New Genevan Psalter’s purpose in its Preface:

In response to the ever-increasing interest in and appreciation for this precious legacy of John Calvin [the Genevan Psalter], it was thought good to publish a new English Psalter without the specifically Canadian Reformed elements that are included in the Book of Praise. With gratitude to our God we present the New Genevan Psalter to the English-speaking church. May our God be ‘enthroned on the praises of Israel’ (Psalm 22:3) through the use of this book. To him alone be the glory, now, and forever!

For more information, to look inside, or to order, you can visit the New Genevan Psalter’s website: http://newgenevanpsalter.wordpress.com/.

–MRK

February’s Psalm of the Month: 8B

The second installment in URC Psalmody’s Introduction to the URC/OPC Psalm Proposal

Sunrise over the Beaver River

Lord, our Lord, in all the earth
How excellent Your name!
You above the heavens have set
The glory of Your fame.

In addition to preserving the two beloved versions of Psalm 8 from the blue Psalter Hymnal (#12, 13), the URC/OPC Psalter Hymnal Committees included in the Psalm Proposal this excellent setting from The Book of Psalms for Singing. Explore the use of dynamic contrast as you sing—perhaps strong and joyful for the first and third stanzas, hushed and reverent for the second. Render the rousing 1742 tune AMSTERDAM with excitement that befits worshipping in the presence of such a majestic God.

Suggested stanzas: All

Source: Psalm 8B in The Book of Psalms for Singing and The Book of Psalms for Worship, Psalm 8 in the Trinity Psalter and the ARP Psalter.

Digging Deeper

Themes for Studying Psalm 8

  • Wondering at God’s excellence (v. 1)
  • Wondering at man’s lowliness (v. 2)
  • Wondering at God’s providence (vv. 3,4)
  • Wondering at man’s privileged place (vv. 5-8)
  • Wondering at God’s excellence (v. 9)

Seeing Christ in Psalm 8

If Psalm 8 refers only to the first Adam in his original state, its praise is dampened by the reality of the Fall. Humanity’s crown of “glory and honor” (v. 5) has been dragged through filth and mire. In our sin we abuse our dominion over the works of God’s hands (v. 7), and the whole creation groans as a result (Romans 8:22).

However, according to the apostles’ interpretation (cf. I Cor. 15:27, Eph. 1:22), Psalm 8 points us to Christ, the Second Adam, who promises restoration and reconciliation for our fallen world. The author of the letter to the Hebrews directly interprets Psalm 8:4-6 in reference to Jesus: “Now in putting everything in subjection to him, he left nothing outside his control. At present, we do not yet see everything in subjection to him. But we see him who for a little while was made lower than the angels, namely Jesus, crowned with glory and honor because of the suffering of death, so that by the grace of God he might taste death for everyone” (Heb. 2:8,9). In awe of this Savior, we can well exclaim, “Lord, our Lord, how majestic is your name in all the earth!”

Applying Psalm 8

  • How do the mouths of babies and infants reveal God’s strength (v. 2; cf. Matt. 21:16)?
  • Why does God care for you (vv. 3,4)?
  • In what ways has sin corrupted the “glory and honor” of mankind (v. 5)?
  • Why is it comforting that God has put all things under Jesus’ feet (v. 6)?

The sum of Psalm 8 is this: In creating man, God demonstrated his infinite grace and fatherly love towards us, which should well amaze us. And although that happy condition has been almost entirely ruined by man’s fall, yet the traces of God’s free gifts to us which still remain should be enough to fill us with admiration. True, the proper order which God originally established no longer shines forth in this mournful and wretched overthrow, but the faithful whom God gathers to himself, under Christ their head, enjoy fragments of the good things they lost in Adam—enough to amaze them at God’s incredible grace. While David here focuses only on God’s earthly blessings, we must rise higher, and contemplate the invaluable treasures of the kingdom of heaven which he has unfolded in Christ, and all the gifts which belong to the spiritual life, that by reflecting upon these our hearts may be inflamed with love for God, that we may be stirred up to the practice of godliness, and that we may not allow ourselves to become lazy and negligent in celebrating his praises.

—paraphrased from Calvin’s commentary on Psalm 8:7-9

Michael Kearney
West Sayville URC
Long Island, New York

(A PDF version of this post, formatted as a bulletin insert, is available here.)

January’s Psalm of the Month: 92A

The first installment in URC Psalmody’s Introduction to the URC/OPC Psalm Proposal

1867 Dutch Reformed Church, Sayville, NY

And this proclaim—
How upright is the Lord, my Rock, no wrong in Him!

While English clergyman John Darwall originally composed the tune that now bears his name for a setting of Psalm 148 in 1770, today DARWALL or DARWALL’S 148th is most commonly associated with Charles Wesley’s hymn “Rejoice, the Lord is King.” However, the tune’s soaring melody lines and confident harmonies make it equally suitable for the text of Psalm 92, versified here in a version taken from The Book of Psalms for Worship.

Confidence is a key element for congregational singing of Psalm 92A. With the possible exception of the more solemn third stanza, sing out on every verse. Breaths should be taken only when punctuation appears at the end of a phrase: after “thank the Lord” at the beginning of stz. 1, but not after “faithfulness by night” in the second line. While this rule for breath placement may seem strange at first, it is common practice in choral singing to aid in clearly expressing the text. Take more time on the very last line of this setting (“How upright is the Lord, my Rock, no wrong in Him!”) to reflect the psalmist’s praiseful triumph. Let your vigorous singing show others that “it is good to give thanks to the Lord”!

Suggested stanzas: All

Source: Psalm 92C in The Book of Psalms for Singing, Psalm 92 in The Book of Psalms for Worship and the Trinity Psalter

Tune only: Revised Trinity Hymnal 18, 181, 301, 310, 524

Listen to a recording:

Digging Deeper

Themes for Studying Psalm 92

  • Everlasting praise (vv. 1-5)
  • Everlasting punishment (vv. 6-9)
  • Everlasting preservation (vv. 10-15)

Seeing Christ in Psalm 92

Without Christ, none could “flourish like the palm tree” or “grow like a cedar in Lebanon” (v. 12)—we all would be no better than the wicked, “doomed to destruction forever” like grass (v. 7). But Jesus, the “righteous Branch” promised in passages like Jeremiah 23:5, came to bring justification and peace for God’s people. In his righteousness he was “planted in the house of the Lord” (v. 13), and we, as his redeemed people, are united to him.

In John 15 Jesus links the agricultural metaphors of passages like Psalm 92 with a new image representing his role as our Mediator: “I am the vine; you are the branches. Whoever abides in me and I in him, he it is that bears much fruit, for apart from me you can do nothing. If anyone does not abide in me he is thrown away like a branch and withers; and the branches are gathered, thrown into the fire, and burned. If you abide in me, and my words abide in you, ask whatever you wish, and it will be done for you. By this my Father is glorified, that you bear much fruit and so prove to be my disciples” (John 15:5-8).

Applying Psalm 92

  • Does v. 2 require Christians to attend two worship services each Lord’s Day?
  • What works of God’s hands make you sing for joy (v. 4)? Why?
  • How is flourishing like a palm or cedar tree (v. 12) different than sprouting like grass (v. 7)?
  • Do you know saints who spiritually “still bear fruit in old age” (v. 14)? How does their example encourage you (v. 15)?

I cannot help it, I must and I will rejoice in the Lord, even as one who has won the victory and has divided great spoil. In the first sentence of this verse he expresses the unity of God’s work, and in the second the variety of his works; in both there is reason for gladness and triumph. When God reveals his work to a man, and performs a work in his soul, he makes his heart glad most effectually, and then the natural consequence is continual praise.

—Charles Spurgeon on Psalm 92:4

Michael Kearney
West Sayville URC
Long Island, New York

(A PDF version of this post, formatted as a bulletin insert, is available here.)


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